Lexington Books
Pages: 246
Trim: 6⅜ x 9¼
978-1-4985-8117-2 • Hardback • February 2020 • $117.00 • (£90.00)
978-1-4985-8119-6 • Paperback • March 2022 • $41.99 • (£35.00)
978-1-4985-8118-9 • eBook • February 2020 • $39.50 • (£30.00)
Steven Petersheim is associate professor of American literature at Indiana University East and coeditor of Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature.
Acknowledgments
Introduction
The Nature of Hawthorne’s Pastoral Romances
Chapter One
Investigating Hawthorne’s Nonfiction Nature Writing
Chapter Two
Observing “the Laboratory of Nature” in Hawthorne’s Short Fiction
Chapter Three
Reading Nature and the Human Body in The Scarlet Letter
Chapter Four
Mapping Blood and Biology in The House of the Seven Gables
Chapter Five
Et in Arcadia Ego: Adaptation and Natural Limits in The Blithedale Romance
Chapter Six
Exploring the Ruins of the Human Animal in The Marble Faun
Chapter Seven
Postscript: Hawthorne’s Unfinished Romances
Bibliography
About the Author
A much-needed and outstanding study of Hawthorne’s preoccupation with Nature, a neglected theme in Hawthorne studies. Steven Petersheim offers a comprehensive view of Hawthorne’s relationship to nature in his journals, correspondence, short fiction, travel sketches, and novels. With great verve, Petersheim describes Hawthorne’s ongoing fascination with nature from his college days onwards through his travels to Europe and shows unwitting similarities but ofttimes ruptures with his Transcendentalist neighbors in Concord in their assessment of nature. An indispensable resource for scholars and students of nineteenth-century American literature and environmental studies.
— Monika Elbert, Prof. of English, Montclair State University
Rethinking Nathaniel Hawthorne and Nature is a very welcome and long-needed contribution to ecocriticism and nineteenth-century American literary studies, unsettling the common (mis)conception of Hawthorne as the isolated writer and revealing him instead as a man deeply engaged with the natural world around him. In this first book-length ecocritical study of Hawthorne’s work, Petersheim brings insightful and wide-ranging analyses to the breadth of Hawthorne’s career, including not just the well-known stories and popular romances, but also his nonfiction writings, including his personal notebooks, and the unfinished late romances. Petersheim does an excellent job situating Hawthorne’s writing in its historical contexts, all the while bringing a fresh theoretical eye to many of these much studied works.
— Tom J. Hillard, Boise State University