University Press Copublishing Division / Lehigh University Press
Pages: 350
Trim: 6½ x 9½
978-1-61146-141-1 • Hardback • October 2013 • $133.00 • (£102.00)
978-1-61146-142-8 • eBook • October 2013 • $126.00 • (£97.00)
Temma Berg is Graeff Professor of English Literature at Gettysburg College.
Sonia Kane is editorial director of The University of Rochester Press.
Contents
Acknowledgments
List of Figures
Introduction by Temma Berg
Part One: Living in the Eighteenth-Century Novel
Clarissa’s Darkness by Toni Bowers
Brotherly Love in Eighteenth-Century Literature by Ruth Perry
“Queernesses” Remembered: Male-Female Friendship in Emma by George E. Haggerty
Sarah Fielding’s The Governess: A Gloss on her “Books upon Education” by Sylvia Kasey Marks
Part Two: Living in the Eighteenth-Century World
“I have travelled so little”: Jane Austen’s Women on the Road by Stephanie Oppenheim
Lady Minto and Her Lord by Elizabeth Lambert
Sarah Scott, Elizabeth Montagu, and the Familiar Letter in Dialogue by Nicole Pohl and Betty A. Schellenberg
Hidden Talents: Women Writers in the Burney Family by Lorna J. Clark
“Moving upon glass”: The Madness of Lady Frances Coningsby by Mary Margaret Stewart
Part Three: Afterlives
“Admiring Pope no more than is Proper”: Romanticizing Alexander Pope in Late-Eighteenth-Century Booksellers’ Beauties by Barbara M. Benedict
Hester Lynch Piozzi’s British Synonymy and the “notion of a sex in words” by Lisa Berglund
Taking the Baltic Merchant: At Sea through the Archives by Temma Berg
The Girl Who Raged and Her Virago of a Grandmother: A Co-Biography of Jane Cumming and Dame Helen Cumming Gordon by Frances B. Singh
Remediating Interpretation: Sophie Calle Rewrites Epistolarity by Elizabeth Heckendorn Cook
Afterword
“A New and Braver Point to Make”: Parting Thoughts on the Brilliant Career of a Master Teacher-Scholar by Beverly Schneller
Contributor Biographies
Index
Rizzo published student textbooks on writing as well as the eighteenth century work she is best known for, and . . . the essays in this collection are notable for the lucidity of their style, their resistance to jargon, and the strength and clarity of their arguments. This collection is a worthy monument to her.
— Eighteenth-Century Fiction
Every chapter in this collection adds something valuable to our knowledge of the period. More important, by reflecting the pleasures of archival research and the importance of clear prose and careful reading, they provide an affirmation of the importance of our work and models for our students. Betty Rizzo is well served by her friends and former students.
— The Eighteenth-Century Intelligencer