Preface
Acknowledgements
Part I
Chapter One: Dialogue in Revisionary Fiction
Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary Debate
Chapter Three: Intertextuality in Practice: Examining the Literary World
Chapter Four: The Novel Domesticated in the Victorian World
Chapter Five: The Victorian Novel and Social Debate
Chapter Six: Profits, Ideals, and the “Self”: Victorian Ambiguities Re-discovered in Literature
Chapter Seven: The Woman Question or Women Questions?
Chapter Eight: The Ethics of the Past and the Present: The Nineteenth Century Re-imagined in the Modern World
Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with Victorianism
Chapter Ten: Women and Spiritual Revival
Chapter Eleven: Women and Family in the Neo-Victorian Novel
Part II: The Neo-Victorian Novel: Women Characters Re-introduced in Intertextual Dialogue
Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the Man in Ruskin’s Garden in Gail Carriger’s Soulless
Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian Texts: Constructing Women Characters by Means of Fashion
Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins’ The Woman in White and in Gail Carriger’s Soulless
Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian Novel: Charlotte Brontë’s Jane Eyre, Jean Rhys’ Wide Sargasso Sea and Clare Boylan’s Emma Brown
Chapter Sixteen: Nameless and Voiceless: Clare Boylan’s Emma Brown and Jean Rhys’ Wide Sargasso Sea
Chapter Seventeen: Neo-Victorian Biofiction: Syrie James’ The Secret Diaries of Charlotte Brontë and the Biography Retold
Epilogue
Bibliography
About the Author