Introduction: Arthur Machen: His Life, His Works, and His Critics
Antonio Sanna
Part I: Human Beings and Their Environments
Chapter 1: ‘A London cognita and a London incognita’: Contesting London in Arthur Machen’s The London Adventure, or the Art of Wandering
Amanda M. Caleb
Chapter 2: The Problem of Agency in Arthur Machen’s The Terror
Francesco Corigliano
Chapter 3: Heterotopic Spaces in Machen’s Fiction
Antonio Sanna
Chapter 4: Dead Matter: Posthumanism and Stones
Fernando Gabriel Pagnoni Berns and Emiliano Aguilar
Part II: Darwinism and Degeneration
Chapter 5: Fear and Fossils: The Legacy of Arthur Machen’s ‘Little People’ Stories
Justin Phillip Mullis
Chapter 6: ‘Dissolution and Change’: Reading The Great God Pan as Monstrous Adaptation
Jessica George
Chapter 7: Lucian’s Ornaments in Jade: Symbolist Decadence in Arthur Machen’s Prose Poetry
Kostas Boyiopoulos
Chapter 8: ‘A Substance as Jelly’: Helen Vaughan as Infectious Pathogen in The Great God Pan
Loredana Salis and Laura Mauro
Part III: Spirituality
Chapter 9: ‘[A] mystic, ineffable force and energy’: Arthur Machen and Theories of New Materialism
Adrian Tait
Chapter 10: Occult Investigations in Arthur Machen’s Detective Stories
Deborah Bridle
Chapter 11: Through the Ancient Wood: Envisioning Apophatic Mysticism in A Fragment of Life
Geoffrey Reiter
Chapter 12: A ‘Miracle’ In No Man’s Land?: Arthur Machen and the Angels of Mons
Andrew R. Lenoir