Introduction
Section 1: Women's Identity and Self-Awareness
Chapter 1: Oral Traditions in African Novels: An Analysis of Akachi Adimora Ezeigbo’s The Last of the Strong Ones and Sunny Udoh’s Martial Bliss
Chapter 2: Technique and Form in Lilian Masitera’s The Trail
Chapter 3: Social Change and Women’s Struggle in Zukiswa Wanner’s The Madam
Section 2: Patriarchal Abuse and Liberation
Chapter 4: Hypocrisy and Abuse of Power in Nawal El Sadaawi’s God Dies By The Nile and The Fall of The Imam
Chapter 5: From Oppression to Rebelliousness: Women in Tayeb Salih's Season of Migration to North and Buchi Emecheta's Kehinde
Section 3: Exploitation, Women's Struggle, and Resistance
Chapter 6: Race, Colonialism, and Resistance: The Women Left Behind in Lauretta Ncgobo's and They Didn't Die
Chapter 7: The Formidable Emancipator in Meja Mwangi’s Crossroads: The Last Plague
Chapter 8: Behind the Veil: The Unyielding Protagonist in Nuruddin Farah’s Knots
Section 4: Gender and Liberation in Patriarchal Society
Chapter 9: Perception of Womanhood in Flora Nwapa’s Novels
Chapter 10: Resistance and Activism in Sembene Ousmane's God's Bits of Wood
Chapter 11: Gender, Ethnicity, and Sexuality in Nigerian Movies
Conclusion